Digital mixer and powered speakers in a single affordable package.
- Presonus StudioLive
8 mono XLR mic and balanced ¼" line inputs
4 stereo line channel inputs, with XLR mic inputs on 9, 11, 13, and 15
Balanced ¼" line inputs on 9-16
Unbalanced RCA line inputs on 13-16
60 mm precision fader (4 stereo)
4 Auxiliary buses (pre/post-fader send)
2 Internal FX buses
2 stereo 32-bit digital effects processors with customizable reverb and delay
Signal processing on all channels and buses
One 31-band stereo graphic EQ (on main outputs only)
16-in/16-out FireWire recording interface (24-bit/44.1 kHz and 48 kHz)
Scene store and recall
Settings can be copied among channels and buses and saved as user presets.
Software bundle for Mac and Windows includes:
Lockout mode protects your settings from meddlers and accidents
MIDI Control Mode
Mackie Thump TH-12A
400W of ultra-efficient Fast Recovery amplification: LF 300W peak power (Class-D), HF 100W peak power (Class A/B)
High-output transducers: 12" high-precision woofer, 1" compression driver
Mackie Active electronics provide total system optimization: Precision 2-way crossover, Transducer time-alignment
User-adjustable 3-band contour EQ with sweepable mid-frequency
Mic/Line input for direct connection of single microphone
Tough, impact-resistant polypropylene enclosure
Pole-mountable via the built-in socket on the bottom of the cabinet and floor wedgeable
Extremely lightweight and portable
PreSonus Studiolive 16.0.2 / Mackie Thump TH-12A PA Package
This package consists of a Presonus Studiolive 16.0.2 digital mixing console along with a pair of Mackie Thump TH-12A powered PA speakers. A pair of standard speaker stands, 2 TRS cables, 4 mics and 4 XLR cables are included as well.
Presonus StudioLive 16.0.2 Mixer
With a “footprint” of less than 2 square feet, the compact, 16-channel StudioLive 16.0.2 offers 8 mono input channels and 4 stereo channels and provides 12 XMAX Class A solid-state mic preamps. Packed with features and processing power, the 16.0.2 employs the same workflow and easy-to-use mixing-surface design as the bigger (16.4.2 and 24.4.2) StudioLive boards, and sounds every bit as good, with the same high-definition, wide-dynamic-range, digital converters. The 16.0.2 integrates a 16x16 FireWire interface and comes with Capture, Studio One Artist recording and production software, and Virtual StudioLive, bidirectional control software.
The 16.0.2's Fat Channel features compressors, limiters, gates, phase reverse, high-pass filters, and 3-band semi-parametric EQ. Two stereo, 32-bit floating-point effects processors deliver delay and reverb effects.
Moreover, a glance at the rear panel reveals that the 16.0.2 even offers something its two big brothers do not: MIDI In and Out. You can recall Scenes from a DAW using MIDI Program Changes, control the main output volume and effects level, and even mute effects between songs.
Two factors work against getting that Perfect Mix with an analog mixer. First, the Perfect Mix can be hard to reproduce a week, day, or hour after you perfect it. And second, a good mix should be dynamic: levels, effects, and EQ should be tailored to each song or segment of the show, service, or presentation. StudioLive solves this problem by letting you save all of your digital settings for quick setup and recall.
Mackie Thump TH-12A
The Mackie Thump Series Powered Loudspeakers deliver deep low-end and real power in a lightweight design that is extremely portable. Class-D Fast Recovery amplification pushes unmatched power to the high-frequency compression driver and bass-pounding high-output woofer. Plus, Mackie Active processing, including a precision crossover and driver time-alignment provides total optimization for maximum system efficiency. Versatile by design, Thump loudspeakers feature a user-adjustable 3-band EQ for tone control and, since they can be pole-mounted or used as a wedge, the Thump Series loudspeakers represent the best value available for a complete stage solution.
Sure, Thump loudspeakers have a built-in power amp—in fact, each have two of them. Mackie's Class-D Fast Recovery low-frequency amp drives the woofer more efficiently with less heat byproduct than other speakers. But much more goes into a Mackie loudspeaker design than just amplifiers. Mackie Active technology (based on the popular SRMv2 Series) divides the frequencies via a precision 2-way crossover and also time aligns the signals so low-frequency and high-frequency signals arrive in sync to every member of your audience.
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- For specifications please refer to the product detail page on individual components.