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Ridenour A Series Clarinet Mouthpiece A Series - MT40 Facing

Price: $129.94 - $149.99
Item #: 472123 904
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Used Products are rated and sorted by Condition. Used products with Conditions 1-3 can be returned in accordance with our standard return policy. Used items with Conditions 4 and 5 are sold AS-IS and are NON-RETURNABLE. Our Lowest Price Guarantee DOES NOT apply to any used gear we sell.

Ridenour A Series Clarinet Mouthpiece

Condition 2 - Gently Used   
what is this?
This mouthpiece has been played very little and shows few signs of use. It has been sanitized and is guaranteed to be completely playable. It has minor marks on the beak as shown in the picture.
$116.95
Ridenour A Series Clarinet Mouthpiece (AMT-40)Online Only
Product Overview

The Ridenour A Series Clarinet Mouthpiece has a dark, compact tone. It is phenomenally efficient and has secure response and excellent focusing qualities. All these combine to make it the preferred model for the orchestra or band clarinetist who must produce large amounts of tonal volume without loss of center or quality in the tone.

  • Hard rubber
Product Details

Ridenour A Series Clarinet Mouthpiece

MORE INFO

Narrow chamber = more focus.
The Model RA mouthpiece has a double-concave baffle similar to the RZ, but a narrower chamber width. This chamber creates virtually effortless focus and precise definition of the tone, allowing great freedom of embouchure and voicing without loss of tonal quality. The bore, also hand reamed, combines with the chamber interior to produce tuning that is somewhat higher than the model RZ, but still low pitched.

MT-36 Facing:
The MT-36 facing has a medium close tip opening with a long curve and works best for most players with higher strength, well-balanced reeds. The MT-36 facing is our most popular facing and the one most suitable for the widest range of playing situations.

T-40 Facing:
Characterized by a very close tip opening with long curve, the T-40 facing requires a very well-balanced reed that has lots of wood in it. The T-40 style facing has an excellent combination of resistance and responsiveness, enables the clarinetist to play with great sensitivity and control in the upper register and produces a very deep, covered, yet clear tone, requiring very little embouchure pressure to focus and control.

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